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The Accountant 2016
The Godfather: Part II
The Godfather: Part II (1974) Full Movie HD
- 1974-12-20
- 200 min.
- Drama, Crime
- Paramount Pictures, The Coppola Company
- Al Pacino, Robert Duvall, Diane Keaton, Robert De Niro, John Cazale, Talia Shire, Lee Strasberg, Michael V. Gazzo, G. D. Spradlin, Richard Bright, Francesca De Sapio, Oreste Baldini, Gastone Moschin, Giuseppe Sillato, Bruno Kirby, Frank Sivero, Morgana King, Marianna Hill, Leopoldo Trieste, Dominic Chianese, Fay Spain, Harry Dean Stanton, Danny Aiello, Roger Corman, William Bowers, James Caan, Tom Rosqui, Amerigo Tot, Troy Donahue, John Aprea, Joe Spinell, Abe Vigoda, Tere Livrano, Gianni Russo, Maria Carta, Mario Cotone, Carmine Caridi, Carmine Foresta, Kathleen Beller, Ivonne Coll, Roman Coppola, Sofia Coppola, Sho Kosugi, James Gounaris, Nick Discenza, Joseph Medaglia, Joseph Della Sorte, Carmen Argenziano, Joe Lo Grippo, Ezio Flagello, Livio Giorgi, Saveria Mazzola, Tito Alba, Johnny Naranjo, Elda Maida, Salvatore Po, Ignazio Pappalardo, Andrea Maugeri, Peter LaCorte, Vincent Coppola, Peter Donat, Tom Dahlgren, Phil Feldman, Joe De Nicola, Edward Van Sickle, Gabriella Belloni, Venancia Grangerard, G.D. Spradlin, Erica Yohn, Gary Kurtz, Connie Mason, Frank Pesce, Victor Pujols Faneyte, Julie Gregg, Larry Guardino, Buck Houghton, Richard Matheson, John Megna, Jay Rasumny, Filomena Spagnuolo, Julian Voloshin, Sh� Kosugi, Roman Coppola, Sofia Coppola, Italia Coppola
- Francis Ford Coppola, Francis Ford Coppola, Gray Frederickson, Fred Roos, Mona Skager, Mario Puzo, Francis Ford Coppola, Gordon Willis, Carmine Coppola, Nino Rota, Dean Tavoularis, Barry Malkin, Richard Marks, Peter Zinner, Jane Feinberg, Mike Fenton, Vic Ramos, Howard Beals, Mark Berger, Nathan Boxer, George Brand, Mario Puzo, Valerio De Paolis, John Franco, Bob Rose, Wayne Fitzgerald, Charles H. Schram, Dick Smith, Naomi Cavin, Newt Arnold, Ralph Gerling, Jerry Bock, Tony Brandt, Joe Lombardi, George Newman, Marilyn Putnam, Robert Evans, Angelo P. Graham, John Dapper, George R. Nelson, Mario Cotone, Michael S. Glick, Burt Bluestein, Ted Grossman, James D. Brubaker, Chris Haynes, Hugh Kelly, James Caan, Eileen Peterson, Alan Hopkins, B.J. Bjorkman, Nancy McArdle
- 8.1 Count: 2142
- In the continuing saga of the Corleone crime family, a young Vito Corleone grows up in Sicily and in 1910s New York. In the 1950s, Michael Corleone attempts to expand the family business into Las Vegas, Hollywood and Cuba.
- italo-american, cuba, vororte, melancholy, praise, revenge, mafia, lawyer, blood, corrupt politician, bloody body of child, man punches woman
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Review
Some bickered that Godfather 2 was an insult to be called a sequel, but I don't mind them arguing such. Admittedly I watched the film first before Godfather 1 and was astounded with its beauty even after I watched Godfather 1. I realized well after watching Godfather 2 how the character of Al Pacino as Michael Corleone developed well throughout the film, and I quite grasped as well very well his character after I watched Godfather 1. The film was double layered. Viewers would understand in this film Vito Corleone's origin, how he grew and feared by many. On the other hand shows the present son of Vito: Michael, who is struggling to deal with his father's family business left to him. The characters and atmosphere were simply superb, and you could understand well how the story progresses. How Michael got the similarity of the situation he is experiencing as contrast to his father during the early times. We see Vito Corleone 's life progresses during his early years, and we see Michael, being the youngest of the family, adhere to his father's legacy and lived through defending his family and business. We can see how well the father and son got their similarity of managing their business and tried well not to mix family in it. I was so touched in Godfather 1 concerning Michael's affection to his family, most especially to his father. And I was moved with his affection towards his family now in Godfather 2 after his father died how he held on what was dearly important to him. I got the bleak understanding how crime worlds works except since after I watched Godfather 1. Italian countrymen got their pride, their history, their nature, and Mario Puzo had brilliantly depicted a beautiful story out of it. Funny though after I watched the film I didn't even realized that it was Robert De Niro who plays the part of the early Vito Corleone, how mesmerizing. ...so this one will have to settle for 10/10. These movies truly are great if 2/3 of the trilogy are on the top 250, as #1 and #3 (as of 2/27/08). This movie was similar to the first in the basic story within the family, also a lot of the characters from the first are in this movie also. However, there are new challenges that cross the Corleone family. There are also new characters, some the family is familiar with and some not. There are also new enemies and obstacles the family face. One of the main differences is that the story does not take place only in New York. In fact, only a fraction is in New York, most takes place in Nevada, Florida, and even Cuba. There seem to be a few different stories within the main plot of this movie. And they all work quite well. This movie will be loved by fans of the first.
Well when it comes to movie sequels i am usually very skeptical. Many film sequels leave me disappointed and wanting something better. When i watched this movie i realized that it was as good if not better than the first which is saying a lot. Al Pacino gives yet another Oscar worthy performance and the story continues to keep you interested. This is one of my all time favorite films. The movie progresses the story from where it left off and shows the struggle of the corleone family to stay out of trouble with the law. Michael becomes a darker more evil character than in the first film. The other characters develop into deeper more sophisticated people, and the flashbacks of Vitos childhood ad depth to this film that is a masterpiece in its own right.
The Godfather is a more important film, of course it is. But the Godfather part 2 is a better film. It's more ambitious, it's more elegiac, it delves deeper into the soil of Italian-American myth, plus... what were they thinking of, trying to match the critical and commercial dynamite of the first film? The Godfather Part 2 was, from conception upwards, an insane project. But it worked.
When The Godfather premiered in New York on 14 March 1972, co-screenwriter and novelist Mario Puzo had already started work on the sequel. That's how sure Paramount were that they had a monster hit on their hands, despite some exhibitors turning up their noses at a preview screening: too little action, too much talking, and too long - proof that in no way are exhibitors a bunch of popcorn-selling philistines. After two days of release, cinema managers were being offered bribes by punters desperate to get to the front of the queues which busted the proverbial block. There was something of the Mafia about the way in which Paramount doubled ticket prices for weekend shows to squeeze extra revenue from their new cash cow. The sequel, announced on 16 April and working titled Don-Michael, was a commercial inevitability ("When you've got a licence to make Coca-Cola, make Coca-Cola! Said Charlie Bluhdorn, head of Gulf and Western, who owned Paramount). The Godfather grossed $101 million in its first 18 weeks, and nobody was going to stop the studio having another cake and eating it. But Francis Ford Coppola, the young director whom the studio had almost fired from the Godfather but who was now feted by Hollywood and the world, wasn't that interested. So they offered him a million dollars plus a huge 13% of the profits and total artistic control. Altogether now: it was an offer he couldn't refuse.
Thus, out of this sticky climate of money-grabbing corporate opportunism did cinemas greatest part2 emerge. Pub debates about the diminishing returns of the sequel usually collapse at the mention of it's name. So why does it work? Why isn't it Police Academy2:their first assignment? Much of it has to do with the unique power of it's own part one, which established it's family of characters so vividly. Audiences were gagging for more of Michael, Tom, Kay, Fredo and Connie. Bit the Coppola-Puzo masterstroke was to develop the saga in two directions, forwards through the faustian ascendance of Don Michael, and backwards into the early 1900s, tracing Vito Andolini's first steps into mafia hood (he earns the surname Corleone-the name of his home village-through a mix-up at Ellis Island's immigration control).
As with all of Coppola's best work, the casting was inspired.(And as with The Godfather, fans can while away hours mulling over who might have been cast. Try this one: dying Miami mobster Hyman Roth, played with precision by acting coach Lee Strasberg in the film-could have been Laurence Olivier, Ella Kazan, or blacklisted screenwriter Dalton Trumbo!) Robert De Niro, plucked from the rising star racks after Mean Streets, seems born to play the young Marlon Brando, Pacino, Coppolas wildcard in casting the Godfather, grows into the central role of Michael in perfect parallel with his character, and Diane Keaton proves the quiet lynchpin( which is no mean feat in this male-dominated film).
Everything that was majestic and mythic about the First film is more so in Part2,its scenes deliberately matching the original. Author of the essential Godfather book, Peter Cowie, describes the two-part saga in musical terms, as "Coppolas suite", with bass lines , motifs and rhyming patterns. ("As a whole, Coppola said, the first film ought to haunt the second like a spectre.") So instead of constantly reminding us that the first film is better, part 2 builds on it's operatic sweep and cranks up the drama, both narratively and visually. Cinematographer Gordon Willis goes into sublime sepia overdrive for the flashbacks. Production designer Dean Tavoularis tops his own evocative 1940s New York streets with a living, breathing Italian immigrant community circa 1912(actually the Ukranian quarter). The epic 26 minute wedding scene that opened part one is echoed in part2 by the altogether tackier confirmation party at the new Corleone compound in Lake Tahoe(the lake itself claiming the life of one of the family in part2s chilling climax.) Actually, claiming that the second is better than the first is like saying Lennon's better than Mcartney. One cannot exist in isolation from the other ; they must be watched by anyone who loves American Film consecutively.
Apparently, they made a part3 too. 10/10
The Godfather: Part II is my favorite movie, in addition to being, in my opinion, the greatest movie ever, even a bit better than The first Godfather. Every single imaginable element of a film is displayed at its absolute finest.
Perhaps my very favorite thing about this movie is the incredible, incredible performance by Al Pacino. Marlon Brando was excellent, but unlike Brando's, Al Pacino's character was far more complicated. He couldn't just say, "I am going to make him an offer he can't refuse" in a slick Italian voice and accomplish the role. He so masterfully and ingeniously displayed the coldness of his character. He can say so much without opening his mouth. His stare, his movement, his subtly, everything is just incredible. The supporting cast is very good as well, perhaps the worst performance being that of Talia Shire, who is still alright.
The two storyline thing is fine. It worked, and it worked well. We get enough of the early life of Vito Corleone story to know how it eventually gave rise to the plot of the first Godfather. In the end everything seems to make since.
The Godfather: Part II is an epic masterpiece.
10/10, minor flaws.
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The Godfather
The Godfather (1972) Full Movie
- 1972-03-15
- 175 min.
- Drama, Crime
- Paramount Pictures, Alfran Productions
- Marlon Brando, Al Pacino, James Caan, Richard S. Castellano, Robert Duvall, Sterling Hayden, John Marley, Richard Conte, Al Lettieri, Diane Keaton, Abe Vigoda, Talia Shire, Gianni Russo, John Cazale, Rudy Bond, Al Martino, Morgana King, Lenny Montana, John Martino, Salvatore Corsitto, Alex Rocco, Tony Giorgio, Victor Rendina, Simonetta Stefanelli, Saro Urz�, Sofia Coppola, Louis Guss, Gabriele Torrei, Tony King, Richard Bright, Vito Scotti, Tere Livrano, Julie Gregg, Angelo Infanti, Corrado Gaipa, Franco Citti, Max Brandt, Carmine Coppola, Roman Coppola, Don Costello, Robert Dahdah, Gray Frederickson, Ron Gilbert, Joe Lo Grippo, Sonny Grosso, Randy Jurgensen, Tony Lip, Lou Martini Jr., Raymond Martino, Joseph Medaglia, Rick Petrucelli, Sal Richards, Tom Rosqui, Frank Sivero, Filomena Spagnuolo, Joe Spinell, Nick Vallelonga, Conrad Yama
- Gordon Willis, Nino Rota, Dean Tavoularis, Warren Clymer, Philip Smith, Anna Hill Johnstone, Gray Frederickson, Louis DiGiaimo, Andrea Eastman, Fred Roos, Francis Ford Coppola, Albert S. Ruddy, Mario Puzo, Francis Ford Coppola, Mario Puzo, William Reynolds, Peter Zinner, Valerio De Paolis, Robert Ward, Fred T. Gallo, Chris Newman, Richard Portman, Phil Rhodes, Philip Leto, Dick Smith, John C. Hammell, Charles Grenzbach, Robert Evans, Fred C. Caruso, Ned Kopp, Tony Brandt, Stephen F. Kesten, Sass Bedig, Joe Lombardi, Paul J. Lombardi, Paul Baxley, Joe Bucaro III, Steven Burnett, Riccardo Bertoni, George Newman, Marilyn Putnam
- 8.3 Count: 3987
- Spanning the years 1945 to 1955, a chronicle of the fictional Italian-American Corleone crime family. When organized crime family patriarch, Vito Corleone barely survives an attempt on his life, his youngest son, Michael steps in to take care of the would-be killers, launching a campaign of bloody revenge.
- italy, love at first sight, loss of father, patriarch, organized crime, mafia, lawyer, italian american, crime family, part of trilogy, rise to power, mob boss, 1940s
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Review
I'd been putting off watching The Godfather for some time. Probably because I knew it was a long, weighty movie with a massive reputation and I wanted to make sure I gave it justice.Well I finally took the plunge and watched it, and I'm sorry to say I don't know what all the fuss is about. This probably won't be very popular - but this movie is way way too slow. There is a lot of talking and very little action, which would be OK if the dialogue was special - it isn't.
What saves The Godfather for me is the performances. Marlon Brando and Al Pacino in particular - you can tell they are at the peak of their powers and giving the performance everything. Their characters are complex and interesting. Brando as Don Vito Corleone is a criminal but with a good heart. Al Pacino wants to avoid crime but he has a streak of evil in him. The development of the characters and handover of the criminal empire keeps the otherwise dull storyline ticking over.
I've given this movie a 7/10 on the strength of the performance, but I won't be watching it again.
From the first until the Last only the Best of All the Past
This is the Movie You cant forget it you never forget its name or those scene this is the shortest 3 hour movie its very short & very hard and soft. Only the best of best
best actors best director best writer only best of best. Plays of Marlon Brando is Awesome His is the sensitive hard man even word make you confuse.
Al Pacino, A hard strong man stone heart man that you could see the good in it And Fredo a big dumb brother !!! like hell in hell!!! Gather of these With Work of the Francis Ford Coppola & Mario Puzo Make the best of best.
An American classic, and one of the greatest film's ever made. Director Francis Ford Coppola's masterpiece, based on Mario Puzo's bestselling novel starring Marlon Brando, Al Pacino, James Caan, Robert Duvall and Diane Keaton. The film chronicles a ten year span (1945 to 1955) in the life of the Italian-American Corleone crime family of New York City.
It's hard to find a moment in the film that isn't great. The Godfather lives up to the term masterpiece. The greatest gangster film ever made. Coppola offers a rich and layered look at family and does so with an incredible cast and a meticulous amount of detail
"must see" masterpiece.
The Godfather (1972) was directed by Francis Ford Coppola, who in 1970 directed the successful movie Patton. Although the Patton movie was successful, not even Coppola could have predicted the success that was produced by The Godfather. The movie was based on a novel by Mario Puzo, who along with Coppola wrote the screenplay. The lead role was played by Marlon Brando, and he was supported by great actors, such as Al Pacino, James Cann, Robert Duvall, and many others who put in amazon performances.
The first scene sets the stage for the rest of the movie, and gives the viewer an early insight as to what to expect through the movie. It starts off in a dark room where the face of an old friend of Don Vito Corleone (Marlon Brando), the old friend was begging Don Vito to help him deliver justice to the two men who had beaten his daughter. Don Vito Corleone was offended that his old friend had gone to the police for help before coming to him. However, when his friend explains he was scared to because he desired to live an honest life in America, but when a judge gives the two men suspended sentences, he knows the only way to punish these men was to go to Don Vito Corleone. It is apparent from the beginning that Don Vito Corleone is a dangerous man, but he is also shown as a compassionate man, when he agrees to help his old friend, but tells him he may one day ask for a favor in return for his help. The favor he asks from his old friend is one that will shock the audience!
That same day, the wedding of Don Vito Corleone's daughter was going on, and after the meeting with his friend, he went out for a family picture. Another soft side of the godfather is revealed as he puts off the family picture until his son Michael (Al Pacino) arrives. Michael shows up dressed in a military uniform and is the only member of the family not involved in the family crime business. An exciting sequence of events changes that, however.
This movie from start to finish is full of excitement and surprises, and it starts when Don Vito Corleone once again shows he has morals and refuses to involve his family in the drug trade. Not all the New York families process these morals, and the bloody feud ensues, which leaves the viewer on the edge of his or her seat anticipating what is going to happen next. This movie is not for the faint hearted, but it shows both sides of a crime family, from the love they share for their children, wife's, and other family members, to the murderous rages, which can be triggered at any moment. Marlon Brando and Al Pacino put in stunning performances' which is supported from the excellent supporting actors.'
With 32 awards, which include three Academy Awards, and 19 nominations for awards, it would not be an exaggeration to say The God Father is one of the best movies of all time. For anyone who has not yet watched this movie, it will provide 175 minutes of ultimate excitement, and leave him or her eager to watch The Godfather II.
The Godfather is rightly regarded as one of the finest movies ever made, and this review won't seek to be a mere repetition of its finest qualities. Technically, thematically and theatrically, the film is an undeniable masterpiece. It took what is an enjoyable, but pulpy, populist crime novel into a deft piece of art. One can only attempt to highlight some interesting observations here.
Watching this again recently with friends who have never seen it before is an interesting experiment. After seeing the film numerous times one forgets that the story and the characters, while never particularly convoluted, are nevertheless numerous, steeped in a subtly defined hierarchy that for the uninitiated is overwhelming, to say the least. Especially overseas (Britain in this case), the younger generation have to fill in gaps that would have been closer to common knowledge upon release in the US. Notwithstanding its wide berth of characters and relationships, the film's central arc, that of Michael Corleone's (Al Pacino) descent to Don, is never clouded; Part II, while arguably as good if not better than Part I, suffers initially from juggling multiple arcs that while well-crafted and excellent, are not nearly as accessible.
While all remember the set pieces, particularly the wedding and baptism that masterfully bookend the film, on multiple viewings it's the quieter, thematic scenes that really shine. A personal favourite scene is the last scene shared between Michael and Vito (Marlon Brando) discussing Vito's desires for Michael, which merges duty, family and aspiration in a truly touching scene. One can make a serious argument that The Godfather Saga is really an embodiment of the American dream (note the Statue of Liberty in the 'cannoli' scene background), and Vito's entire outlook captures this. The scene is certainly the thematic backbone of the movie.
What has been occasionally discussed in detail elsewhere, but deserves a mention, is the portrayal of Kay. It's a nuanced performance by Diane Keaton, and the costume design is a fantastic touch. In her scenes where she is most distant, Kay's colours are bright reds and oranges, in sharp contrast to the surrounding characters (the wedding; when she looks for Michael at the compound). As she falls in with the family, her colours become muted. In terms of gender portrayal (something the film almost-understandably struggles with; it never comes close to passing the Bechdel test), Kay certainly fares better as a character than Apollonia, who is little more than an object of desire. Her willingness to be there for Michael is almost questionable however. Yet, ultimately this is a quintessential story about men, in a world where women had not yet encroached as individuals separate from men (it's no accident that the women get a greater role in Part III). One can suggest that the fact that all the women are defined by their male connections is less the fault of the material than it is the reality of the profession and period.
The Godfather, possibly by virtue of being a period piece, has barely aged in 40 years. Sure, the issues it discusses and the world it portrays are transformed, but like a painting it captures beautifully a freeze frame, a snapshot period of aspiration and ambition. It will continue to be adored for years to come.
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The Shawshank Redemption
The Shawshank Redemption (1994) Full Movie HD
- 1994-09-10
- 142 min.
- Drama, Crime
- Castle Rock Entertainment
- Tim Robbins, Morgan Freeman, Bob Gunton, William Sadler, Clancy Brown, Gil Bellows, James Whitmore, Mark Rolston, Jeffrey DeMunn, Larry Brandenburg, Neil Giuntoli, Brian Libby, David Proval, Joseph Ragno, Jude Ciccolella, Paul McCrane, Renee Blaine, Scott Mann, John Horton, Gordon Greene, Alfonso Freeman, V.J. Foster, Frank Medrano, Mack Miles, Gary Lee Davis, Ned Bellamy, Brian Delate, Don McManus, Dorothy Silver, Dion Anderson, Robert Haley, Bill Bolender, John R. Woodward, Rohn Thomas, Brian Brophy, Ken Magee, James Babson, Fred Culbertson, Alonzo F. Jones, Sergio Kato, Philip Ettington, Neil Summers
- Frank Darabont, Niki Marvin, Thomas Newman, Roger Deakins, Richard Francis-Bruce, Julie Lichter, Terence Marsh, Deborah Aquila, Stephen King, Frank Darabont, Liz Glotzer, David V. Lester, Michael Seirton, Paul J. Zydel, John Soukup, Jack Keller, Richie Ford, Bobby Mancuso, David Orr, Barbara Harris, Monty Westmore, Robert C. Lusted, Bill O'Leary, Peter Landsdown Smith, Elizabeth McBride, Roy Bryson, Kokayi Ampah, Sue Bea Montgomery, John R. Woodward, Thomas Schellenberg, Jesse V. Johnson, Bob Williams, Melissa Taylor, Jerry Gatlin, Brian 'Buzz' Buzzelli, Dick Hancock, Kevin Haney, Philip Ivey, Tommy Morgan, Andy Harris
- 8.4 Count: 5780
- Framed in the 1940s for the double murder of his wife and her lover, upstanding banker Andy Dufresne begins a new life at the Shawshank prison, where he puts his accounting skills to work for an amoral warden. During his long stretch in prison, Dufresne comes to be admired by the other inmates -- including an older prisoner named Red -- for his integrity and unquenchable sense of hope.
- prison, corruption, police brutality, prison cell, delinquent, parole board, escape from prison, wrongful imprisonment, framed for murder, 1940s, first person narration, ????, ??, ???, ????, ??
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Review
This is a different one... at least from the kind of movie I'm used to watch in sync with friends. Because the 'action' in the plot is around mystery and complex characters. The movie omits most of the stuff so you do the work, including the emotional work, and that I value greatly in a movie. Movies that make you feel and think, that are not obvious and bogus are the ones you should watch. Directors that don't tell you in each scene exactly the actors are feeling and thinking... no. You need adventures through each history, through realms of thought. Those are the ones you should watch. I don't want to go deep in the movie to avoid spoilers, since I write reviews for guys to decide if they are going to watch. So here is the tip: If you are looking for fun this might not be you guy. You will cry and I don't like that when movie syncing with friends. But if you want to know a history well developed around emotion, and some really funny nice characters, or even some of Morgan freeman then you should do this. http://tele-film.com http://tele-film.com/news/1 100% Monthly 2013-05-09 11:22 http://tele-film.com/news/11 100% Monthly 2013-05-09 11:20 http://tele-film.com/news/15 100% Monthly 2013-05-09 11:25 http://tele-film.com/news/18 100% Monthly 2013-05-09 11:26 http://tele-film.com/news/22 100% Monthly 2013-05-09 11:31 http://tele-film.com/news/26 100% Monthly 2013-05-09 11:34 http://tele-film.com/news/30 100% Monthly 2013-05-09 12:00 http://tele-film.com/news/33 100% Monthly 2013-05-09 12:01 http://tele-film.com/news/36 100% Monthly 2013-05-09 12:03 http://tele-film.com/news/39 100% Monthly 2013-05-09 12:07
i watched this movie a 10 times...still not a bit bored..this is the most Beuiful and greatest movie...the screenplay is perfect and the actors are performing just like the prisoners in the jail.The casting of the movie is just perfectly great,i can't think anyone other than the those actors in respective roles.Tim Robbins and Morgan freeman is just great to watch.If you didn't watched this movie you have just lost something...hope...the greatest of things...the movie starts with Tim Robbins sent into the jail for murdering his wife and lover..and imprisoned for two life sentence.he has seen worried in the beginning but he retains hope to survive.When i watched the climax when Andy escapes from the prison i can't believe the moment and i rewind it for another ten times..just incredible movie
The Shaw shank redemption is a movie that you should see this movie is set in the 40s-50s and it's about a man (Tim Robbins) who goes to prison for something he did not do and along the way Tim meets another man during the film (Morgan Freeman). I think Morgan freeman is the perfect actor for this film he was just amazing and I love his voice it's so good. Anyway about the film it's about two hrs and a half long and that's a pretty long film. Through out the film Mr robbins does somethings to change the prison like one scene he makes a huge change to the library at the prison and he teaches one of the prisoners how to read and do math equations. Also he does taxes for the guards in the prison and he loses some good friends along the way and the ending was just fantastic I just loved it and the ending goes something like this: Mr robbins has just escaped and is on the beach cleaning up a boat and then he sees his mate from prison Mr freeman who was let free from prison and they both see each other on the beach and they run at each other and hug. Overall I just loved it even though the movie can be violent and sad at times i would watch this film again lots of times. Anyone that has not here is the trailer : http://www.youtube.com/watch?v=6hB3S9bIaco. My name is Henry and if you want to see more reviews check out my page but for now goodbye.
One of the masterpieces of Stephen King that became another memorable masterpiece for movies (and one of the most underrated films by the Academy).
"Shawshank Redemption" is one of the most magnificent and beautiful films ever made, is not the first time that another work of Stephen King becomes a must see classic. Thanks to Frank Darabont, the film became unforgettable and also thanks to the magnificent history. Andy Dufresne (Tim Robbins) is a simple and shy bank worker, who after seeing his wife with her lover, he threats to kill her. His wife and her lover show up dead in the next day and Andy is sentenced to life imprisonment in Shawshank institute where begins his great life story when he meets Red (Morgan Freeman) and a strong friendship starts between this two during the long years of imprisonment. Andy manages to bring many benefits to the prison and the prisoners, but only later that Andy discovers that his arrest was all a "misunderstanding."
The strongest points of the film is the screenplay of Darabont writing and detailing the film with greater mastery possible by putting us in the place of Andy and get us feeling the tightness and claustrophobia of prison. But at the same time with a very well-constructed dialog that narrates the film without blemish and without leaving any loose end, leaving the story and his final message in greater perfection. A story that teaches the value of friendship and strong at the same time of hope, one of the beautiful things in life and that we can never abandon it or forget it.
Not only the story is absolutely amazing and without any flaws, but the performances of each of the cast stand out, Morgan Freeman being perfect as in all his roles. But who stands out is definitely Tim Robbins with a show of perfection while maintaining its character as it is, shy and who keeps to himself and does not try to be anything more than that.
A film that is undoubtedly magnificent, a true masterpiece that should be watched over and over again to witness this spectacle emotionally breathtaking classic.
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Live by Night
Live by Night (2016) Full Movie HD
- 2016-12-25
- 128 min.
- Crime, Drama
- Ben Affleck, Zoe Saldana, Elle Fanning, Sienna Miller, Brendan Gleeson, Anthony Michael Hall, Titus Welliver, Chris Messina, Derek Mears, Chris Cooper, Max Casella, Robert Glenister, Chris Sullivan, Kristen Annese, J.D. Evermore, Tom Virtue, Matthew Maher, Bruno Amato, Katie O'Malley, Shawn Contois, John Bishop, Michael Chieffo, Larry Eudene, Benny Ciaramello, Michael Mantell, Andrew Bongiorno, Lexie Roth, Austin Swift, Mark Burzenski, Lucy Angelo
- Ben Affleck, Ben Affleck, Dennis Lehane, Ben Affleck, Chris Brigham, Chay Carter, Leonardo DiCaprio, Jennifer Killoran, Jennifer Todd, David J. Webb, Lora Kennedy, Mindy Marin, Stephen Christensen, Christa Munro, Bradley Rubin, Dawn Swiderski, Jeremy Woodward, Robert Richardson, William Goldenberg, Harry Gregson-Williams, Jacqueline West, Jess Gonchor
- 6.9 Count: 12
- A story set in the Prohibition Era and centered around a group of individuals and their dealings in the world of organized crime.
- based on novel, prohibition, florida, organized crime, 1920s, 1930s
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Review
I've been a fan of Ben Affleck's directional efforts ever since I saw Gone Baby Gone way back in 2007 in theaters. I also loved The Town and think its his best film to date. Live by Night sort of came out of nowhere but I'm always down for Prohibition era crime films. The film seemed to get lukewarm reviews but there was no way I wasn't going to see this for myself. Overall, I'd say I enjoyed it and its better than what other critics are saying.The film is set in Boston (and then Tampa) and is the story of the son of a police captain, who becomes a bootlegger and gangster. Be forewarned that there isn't much that separates this from gangster films we've seen before, however Affleck knows what he's doing and I think he does it well. The thing that pops out to me is the dialogue. Its quite clever and witty. There's funny moments and the film isn't always super serious, which is refreshing. Not everything in the script has to be explained as the viewers are expected to follow the message. The suits, cars, glamour, of the 20s and 30s is captured quite well (not that I lived in that era to really know if it was accurate). Some of the dialogue was hard to hear in theaters (the accents probably contributed to this). I think this film will one day warrant a second view anyways.
While I really enjoyed the film, it isn't without faults. It really depends on whether you can forgive the film for that or really see it as a detriment. Some of the characters felt loose and suddenly disappear. This includes Siena Miller, Elle Fanning and Brendan Gleeson. Fates of characters are explained and such but they feel unfulfilled. I thought Fanning's character was just becoming great, but as I said unfulfilled. Miller's character arc was just so odd as well (maybe rushed to fit the story). Well, at least my boy Miguel was in this. The film seems to want to tackle a few foes/events in different parts of the film and doesn't always do it seamlessly, which makes the film seem unfocused. The events of the third act felt rushed together just to come to a resolution. Without going into spoiling there's a head scratching moment near the end that seemed out of left field. I didn't have too many problems with all this and maybe its because I'm partial to Affleck and gangster films.
I enjoyed the car chase and gun battles. I think the comic element of the film kind of swept into the action scenes which made it enjoyable. I liked that the film takes place in Tampa and mixes with the Black and Cuban community as well. Its nice to see a sort of different locality in a gangster film. I'm sure there's much more I want to ramble about but nothings coming to me. Overall, this probably won't be something that'll be a the top of year end lists but its thoroughly enjoyable even through its flaws. Its not Affleck's best but I applaud him for directing and writing films in a time where he's busy being in blockbusters.
8/10
Producer, director, writer and lead actor: Ben Affleck.
Let's look at those contributions one by one.
Producer. The film looks good. There's an expert team on both sides of the camera. But there's a problem with length. Also, it feels as though the adaptation from Dennis Lehane's novel has not sufficiently transformed what was on the page into cinematic story-telling.
Director. There are excellent action sequences, such as an exciting car-chase and a final shoot-out. As a director of actors Mr Affleck is strong: he elicits particularly striking work from Chris Messina, Elle Fanning, Remo Girone and Sienna Miller. Within scenes there's a reassuring sense of control of pace. But overall, there is a sense of the director being in thrall to the screenplay.
Writer. This is the weakest link. It feels in awe of its source material. I read that an entire strand of the book was removed for the purposes of the film, but this was not enough. The producer and/or the director needed to tell the writer to put it through another draft. Or put it in its current form on Netflix as a two-part drama.
Lead actor. A matter of taste, I guess. Mr Affleck's persona is always of a handsome man who knows he's handsome, and who is very pleased with himself about it. I find this insufferable in large doses. And there is a very large dose of it here. Mr Affleck's performances lack depth -- compare and contrast those of this amazing brother Casey. As far as I'm concerned, Mr B. Affleck is more a male model than an actor: in James Bond terms, he's a George Lazenby rather than a Daniel Craig. His best film performance is his self-parodying turn in 'SHAKESPEARE IN LOVE'. In LIVE BY NIGHT he is serviceable, nothing more. His director clearly couldn't get anything else out of him.
It's instructive to compare Ben Affleck to Clint Eastwood, who also has a limited -- maybe even more limited -- range as an actor. But Eastwood the director usually casts Eastwood the actor brilliantly. DIRTY HARRY, UNFORGIVEN,GRAN TORINO etc: who could be better? By contrast, there are many young actors who could have played the lead in LIVE BY NIGHT, and many writers who could have delivered a better screenplay, especially when guided by a strong producer and director. Time will tell whether Ben Affleck is as good in those last two departments as ARGO suggested he might be. The promise he showed in those areas in that film is not in evidence here.
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