The Godfather (1972) Full Movie
- 1972-03-15
- 175 min.
- Drama, Crime
- Paramount Pictures, Alfran Productions
- Marlon Brando, Al Pacino, James Caan, Richard S. Castellano, Robert Duvall, Sterling Hayden, John Marley, Richard Conte, Al Lettieri, Diane Keaton, Abe Vigoda, Talia Shire, Gianni Russo, John Cazale, Rudy Bond, Al Martino, Morgana King, Lenny Montana, John Martino, Salvatore Corsitto, Alex Rocco, Tony Giorgio, Victor Rendina, Simonetta Stefanelli, Saro Urz�, Sofia Coppola, Louis Guss, Gabriele Torrei, Tony King, Richard Bright, Vito Scotti, Tere Livrano, Julie Gregg, Angelo Infanti, Corrado Gaipa, Franco Citti, Max Brandt, Carmine Coppola, Roman Coppola, Don Costello, Robert Dahdah, Gray Frederickson, Ron Gilbert, Joe Lo Grippo, Sonny Grosso, Randy Jurgensen, Tony Lip, Lou Martini Jr., Raymond Martino, Joseph Medaglia, Rick Petrucelli, Sal Richards, Tom Rosqui, Frank Sivero, Filomena Spagnuolo, Joe Spinell, Nick Vallelonga, Conrad Yama
- Gordon Willis, Nino Rota, Dean Tavoularis, Warren Clymer, Philip Smith, Anna Hill Johnstone, Gray Frederickson, Louis DiGiaimo, Andrea Eastman, Fred Roos, Francis Ford Coppola, Albert S. Ruddy, Mario Puzo, Francis Ford Coppola, Mario Puzo, William Reynolds, Peter Zinner, Valerio De Paolis, Robert Ward, Fred T. Gallo, Chris Newman, Richard Portman, Phil Rhodes, Philip Leto, Dick Smith, John C. Hammell, Charles Grenzbach, Robert Evans, Fred C. Caruso, Ned Kopp, Tony Brandt, Stephen F. Kesten, Sass Bedig, Joe Lombardi, Paul J. Lombardi, Paul Baxley, Joe Bucaro III, Steven Burnett, Riccardo Bertoni, George Newman, Marilyn Putnam
- 8.3 Count: 3987
- Spanning the years 1945 to 1955, a chronicle of the fictional Italian-American Corleone crime family. When organized crime family patriarch, Vito Corleone barely survives an attempt on his life, his youngest son, Michael steps in to take care of the would-be killers, launching a campaign of bloody revenge.
- italy, love at first sight, loss of father, patriarch, organized crime, mafia, lawyer, italian american, crime family, part of trilogy, rise to power, mob boss, 1940s
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Review
I'd been putting off watching The Godfather for some time. Probably because I knew it was a long, weighty movie with a massive reputation and I wanted to make sure I gave it justice.Well I finally took the plunge and watched it, and I'm sorry to say I don't know what all the fuss is about. This probably won't be very popular - but this movie is way way too slow. There is a lot of talking and very little action, which would be OK if the dialogue was special - it isn't.
What saves The Godfather for me is the performances. Marlon Brando and Al Pacino in particular - you can tell they are at the peak of their powers and giving the performance everything. Their characters are complex and interesting. Brando as Don Vito Corleone is a criminal but with a good heart. Al Pacino wants to avoid crime but he has a streak of evil in him. The development of the characters and handover of the criminal empire keeps the otherwise dull storyline ticking over.
I've given this movie a 7/10 on the strength of the performance, but I won't be watching it again.
From the first until the Last only the Best of All the Past
This is the Movie You cant forget it you never forget its name or those scene this is the shortest 3 hour movie its very short & very hard and soft. Only the best of best
best actors best director best writer only best of best. Plays of Marlon Brando is Awesome His is the sensitive hard man even word make you confuse.
Al Pacino, A hard strong man stone heart man that you could see the good in it And Fredo a big dumb brother !!! like hell in hell!!! Gather of these With Work of the Francis Ford Coppola & Mario Puzo Make the best of best.
An American classic, and one of the greatest film's ever made. Director Francis Ford Coppola's masterpiece, based on Mario Puzo's bestselling novel starring Marlon Brando, Al Pacino, James Caan, Robert Duvall and Diane Keaton. The film chronicles a ten year span (1945 to 1955) in the life of the Italian-American Corleone crime family of New York City.
It's hard to find a moment in the film that isn't great. The Godfather lives up to the term masterpiece. The greatest gangster film ever made. Coppola offers a rich and layered look at family and does so with an incredible cast and a meticulous amount of detail
"must see" masterpiece.
The Godfather (1972) was directed by Francis Ford Coppola, who in 1970 directed the successful movie Patton. Although the Patton movie was successful, not even Coppola could have predicted the success that was produced by The Godfather. The movie was based on a novel by Mario Puzo, who along with Coppola wrote the screenplay. The lead role was played by Marlon Brando, and he was supported by great actors, such as Al Pacino, James Cann, Robert Duvall, and many others who put in amazon performances.
The first scene sets the stage for the rest of the movie, and gives the viewer an early insight as to what to expect through the movie. It starts off in a dark room where the face of an old friend of Don Vito Corleone (Marlon Brando), the old friend was begging Don Vito to help him deliver justice to the two men who had beaten his daughter. Don Vito Corleone was offended that his old friend had gone to the police for help before coming to him. However, when his friend explains he was scared to because he desired to live an honest life in America, but when a judge gives the two men suspended sentences, he knows the only way to punish these men was to go to Don Vito Corleone. It is apparent from the beginning that Don Vito Corleone is a dangerous man, but he is also shown as a compassionate man, when he agrees to help his old friend, but tells him he may one day ask for a favor in return for his help. The favor he asks from his old friend is one that will shock the audience!
That same day, the wedding of Don Vito Corleone's daughter was going on, and after the meeting with his friend, he went out for a family picture. Another soft side of the godfather is revealed as he puts off the family picture until his son Michael (Al Pacino) arrives. Michael shows up dressed in a military uniform and is the only member of the family not involved in the family crime business. An exciting sequence of events changes that, however.
This movie from start to finish is full of excitement and surprises, and it starts when Don Vito Corleone once again shows he has morals and refuses to involve his family in the drug trade. Not all the New York families process these morals, and the bloody feud ensues, which leaves the viewer on the edge of his or her seat anticipating what is going to happen next. This movie is not for the faint hearted, but it shows both sides of a crime family, from the love they share for their children, wife's, and other family members, to the murderous rages, which can be triggered at any moment. Marlon Brando and Al Pacino put in stunning performances' which is supported from the excellent supporting actors.'
With 32 awards, which include three Academy Awards, and 19 nominations for awards, it would not be an exaggeration to say The God Father is one of the best movies of all time. For anyone who has not yet watched this movie, it will provide 175 minutes of ultimate excitement, and leave him or her eager to watch The Godfather II.
The Godfather is rightly regarded as one of the finest movies ever made, and this review won't seek to be a mere repetition of its finest qualities. Technically, thematically and theatrically, the film is an undeniable masterpiece. It took what is an enjoyable, but pulpy, populist crime novel into a deft piece of art. One can only attempt to highlight some interesting observations here.
Watching this again recently with friends who have never seen it before is an interesting experiment. After seeing the film numerous times one forgets that the story and the characters, while never particularly convoluted, are nevertheless numerous, steeped in a subtly defined hierarchy that for the uninitiated is overwhelming, to say the least. Especially overseas (Britain in this case), the younger generation have to fill in gaps that would have been closer to common knowledge upon release in the US. Notwithstanding its wide berth of characters and relationships, the film's central arc, that of Michael Corleone's (Al Pacino) descent to Don, is never clouded; Part II, while arguably as good if not better than Part I, suffers initially from juggling multiple arcs that while well-crafted and excellent, are not nearly as accessible.
While all remember the set pieces, particularly the wedding and baptism that masterfully bookend the film, on multiple viewings it's the quieter, thematic scenes that really shine. A personal favourite scene is the last scene shared between Michael and Vito (Marlon Brando) discussing Vito's desires for Michael, which merges duty, family and aspiration in a truly touching scene. One can make a serious argument that The Godfather Saga is really an embodiment of the American dream (note the Statue of Liberty in the 'cannoli' scene background), and Vito's entire outlook captures this. The scene is certainly the thematic backbone of the movie.
What has been occasionally discussed in detail elsewhere, but deserves a mention, is the portrayal of Kay. It's a nuanced performance by Diane Keaton, and the costume design is a fantastic touch. In her scenes where she is most distant, Kay's colours are bright reds and oranges, in sharp contrast to the surrounding characters (the wedding; when she looks for Michael at the compound). As she falls in with the family, her colours become muted. In terms of gender portrayal (something the film almost-understandably struggles with; it never comes close to passing the Bechdel test), Kay certainly fares better as a character than Apollonia, who is little more than an object of desire. Her willingness to be there for Michael is almost questionable however. Yet, ultimately this is a quintessential story about men, in a world where women had not yet encroached as individuals separate from men (it's no accident that the women get a greater role in Part III). One can suggest that the fact that all the women are defined by their male connections is less the fault of the material than it is the reality of the profession and period.
The Godfather, possibly by virtue of being a period piece, has barely aged in 40 years. Sure, the issues it discusses and the world it portrays are transformed, but like a painting it captures beautifully a freeze frame, a snapshot period of aspiration and ambition. It will continue to be adored for years to come.
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