The Godfather: Part II (1974) Full Movie HD
- 1974-12-20
- 200 min.
- Drama, Crime
- Paramount Pictures, The Coppola Company
- Al Pacino, Robert Duvall, Diane Keaton, Robert De Niro, John Cazale, Talia Shire, Lee Strasberg, Michael V. Gazzo, G. D. Spradlin, Richard Bright, Francesca De Sapio, Oreste Baldini, Gastone Moschin, Giuseppe Sillato, Bruno Kirby, Frank Sivero, Morgana King, Marianna Hill, Leopoldo Trieste, Dominic Chianese, Fay Spain, Harry Dean Stanton, Danny Aiello, Roger Corman, William Bowers, James Caan, Tom Rosqui, Amerigo Tot, Troy Donahue, John Aprea, Joe Spinell, Abe Vigoda, Tere Livrano, Gianni Russo, Maria Carta, Mario Cotone, Carmine Caridi, Carmine Foresta, Kathleen Beller, Ivonne Coll, Roman Coppola, Sofia Coppola, Sho Kosugi, James Gounaris, Nick Discenza, Joseph Medaglia, Joseph Della Sorte, Carmen Argenziano, Joe Lo Grippo, Ezio Flagello, Livio Giorgi, Saveria Mazzola, Tito Alba, Johnny Naranjo, Elda Maida, Salvatore Po, Ignazio Pappalardo, Andrea Maugeri, Peter LaCorte, Vincent Coppola, Peter Donat, Tom Dahlgren, Phil Feldman, Joe De Nicola, Edward Van Sickle, Gabriella Belloni, Venancia Grangerard, G.D. Spradlin, Erica Yohn, Gary Kurtz, Connie Mason, Frank Pesce, Victor Pujols Faneyte, Julie Gregg, Larry Guardino, Buck Houghton, Richard Matheson, John Megna, Jay Rasumny, Filomena Spagnuolo, Julian Voloshin, Sh� Kosugi, Roman Coppola, Sofia Coppola, Italia Coppola
- Francis Ford Coppola, Francis Ford Coppola, Gray Frederickson, Fred Roos, Mona Skager, Mario Puzo, Francis Ford Coppola, Gordon Willis, Carmine Coppola, Nino Rota, Dean Tavoularis, Barry Malkin, Richard Marks, Peter Zinner, Jane Feinberg, Mike Fenton, Vic Ramos, Howard Beals, Mark Berger, Nathan Boxer, George Brand, Mario Puzo, Valerio De Paolis, John Franco, Bob Rose, Wayne Fitzgerald, Charles H. Schram, Dick Smith, Naomi Cavin, Newt Arnold, Ralph Gerling, Jerry Bock, Tony Brandt, Joe Lombardi, George Newman, Marilyn Putnam, Robert Evans, Angelo P. Graham, John Dapper, George R. Nelson, Mario Cotone, Michael S. Glick, Burt Bluestein, Ted Grossman, James D. Brubaker, Chris Haynes, Hugh Kelly, James Caan, Eileen Peterson, Alan Hopkins, B.J. Bjorkman, Nancy McArdle
- 8.1 Count: 2142
- In the continuing saga of the Corleone crime family, a young Vito Corleone grows up in Sicily and in 1910s New York. In the 1950s, Michael Corleone attempts to expand the family business into Las Vegas, Hollywood and Cuba.
- italo-american, cuba, vororte, melancholy, praise, revenge, mafia, lawyer, blood, corrupt politician, bloody body of child, man punches woman
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Review
Some bickered that Godfather 2 was an insult to be called a sequel, but I don't mind them arguing such. Admittedly I watched the film first before Godfather 1 and was astounded with its beauty even after I watched Godfather 1. I realized well after watching Godfather 2 how the character of Al Pacino as Michael Corleone developed well throughout the film, and I quite grasped as well very well his character after I watched Godfather 1. The film was double layered. Viewers would understand in this film Vito Corleone's origin, how he grew and feared by many. On the other hand shows the present son of Vito: Michael, who is struggling to deal with his father's family business left to him. The characters and atmosphere were simply superb, and you could understand well how the story progresses. How Michael got the similarity of the situation he is experiencing as contrast to his father during the early times. We see Vito Corleone 's life progresses during his early years, and we see Michael, being the youngest of the family, adhere to his father's legacy and lived through defending his family and business. We can see how well the father and son got their similarity of managing their business and tried well not to mix family in it. I was so touched in Godfather 1 concerning Michael's affection to his family, most especially to his father. And I was moved with his affection towards his family now in Godfather 2 after his father died how he held on what was dearly important to him. I got the bleak understanding how crime worlds works except since after I watched Godfather 1. Italian countrymen got their pride, their history, their nature, and Mario Puzo had brilliantly depicted a beautiful story out of it. Funny though after I watched the film I didn't even realized that it was Robert De Niro who plays the part of the early Vito Corleone, how mesmerizing. ...so this one will have to settle for 10/10. These movies truly are great if 2/3 of the trilogy are on the top 250, as #1 and #3 (as of 2/27/08). This movie was similar to the first in the basic story within the family, also a lot of the characters from the first are in this movie also. However, there are new challenges that cross the Corleone family. There are also new characters, some the family is familiar with and some not. There are also new enemies and obstacles the family face. One of the main differences is that the story does not take place only in New York. In fact, only a fraction is in New York, most takes place in Nevada, Florida, and even Cuba. There seem to be a few different stories within the main plot of this movie. And they all work quite well. This movie will be loved by fans of the first.
Well when it comes to movie sequels i am usually very skeptical. Many film sequels leave me disappointed and wanting something better. When i watched this movie i realized that it was as good if not better than the first which is saying a lot. Al Pacino gives yet another Oscar worthy performance and the story continues to keep you interested. This is one of my all time favorite films. The movie progresses the story from where it left off and shows the struggle of the corleone family to stay out of trouble with the law. Michael becomes a darker more evil character than in the first film. The other characters develop into deeper more sophisticated people, and the flashbacks of Vitos childhood ad depth to this film that is a masterpiece in its own right.
The Godfather is a more important film, of course it is. But the Godfather part 2 is a better film. It's more ambitious, it's more elegiac, it delves deeper into the soil of Italian-American myth, plus... what were they thinking of, trying to match the critical and commercial dynamite of the first film? The Godfather Part 2 was, from conception upwards, an insane project. But it worked.
When The Godfather premiered in New York on 14 March 1972, co-screenwriter and novelist Mario Puzo had already started work on the sequel. That's how sure Paramount were that they had a monster hit on their hands, despite some exhibitors turning up their noses at a preview screening: too little action, too much talking, and too long - proof that in no way are exhibitors a bunch of popcorn-selling philistines. After two days of release, cinema managers were being offered bribes by punters desperate to get to the front of the queues which busted the proverbial block. There was something of the Mafia about the way in which Paramount doubled ticket prices for weekend shows to squeeze extra revenue from their new cash cow. The sequel, announced on 16 April and working titled Don-Michael, was a commercial inevitability ("When you've got a licence to make Coca-Cola, make Coca-Cola! Said Charlie Bluhdorn, head of Gulf and Western, who owned Paramount). The Godfather grossed $101 million in its first 18 weeks, and nobody was going to stop the studio having another cake and eating it. But Francis Ford Coppola, the young director whom the studio had almost fired from the Godfather but who was now feted by Hollywood and the world, wasn't that interested. So they offered him a million dollars plus a huge 13% of the profits and total artistic control. Altogether now: it was an offer he couldn't refuse.
Thus, out of this sticky climate of money-grabbing corporate opportunism did cinemas greatest part2 emerge. Pub debates about the diminishing returns of the sequel usually collapse at the mention of it's name. So why does it work? Why isn't it Police Academy2:their first assignment? Much of it has to do with the unique power of it's own part one, which established it's family of characters so vividly. Audiences were gagging for more of Michael, Tom, Kay, Fredo and Connie. Bit the Coppola-Puzo masterstroke was to develop the saga in two directions, forwards through the faustian ascendance of Don Michael, and backwards into the early 1900s, tracing Vito Andolini's first steps into mafia hood (he earns the surname Corleone-the name of his home village-through a mix-up at Ellis Island's immigration control).
As with all of Coppola's best work, the casting was inspired.(And as with The Godfather, fans can while away hours mulling over who might have been cast. Try this one: dying Miami mobster Hyman Roth, played with precision by acting coach Lee Strasberg in the film-could have been Laurence Olivier, Ella Kazan, or blacklisted screenwriter Dalton Trumbo!) Robert De Niro, plucked from the rising star racks after Mean Streets, seems born to play the young Marlon Brando, Pacino, Coppolas wildcard in casting the Godfather, grows into the central role of Michael in perfect parallel with his character, and Diane Keaton proves the quiet lynchpin( which is no mean feat in this male-dominated film).
Everything that was majestic and mythic about the First film is more so in Part2,its scenes deliberately matching the original. Author of the essential Godfather book, Peter Cowie, describes the two-part saga in musical terms, as "Coppolas suite", with bass lines , motifs and rhyming patterns. ("As a whole, Coppola said, the first film ought to haunt the second like a spectre.") So instead of constantly reminding us that the first film is better, part 2 builds on it's operatic sweep and cranks up the drama, both narratively and visually. Cinematographer Gordon Willis goes into sublime sepia overdrive for the flashbacks. Production designer Dean Tavoularis tops his own evocative 1940s New York streets with a living, breathing Italian immigrant community circa 1912(actually the Ukranian quarter). The epic 26 minute wedding scene that opened part one is echoed in part2 by the altogether tackier confirmation party at the new Corleone compound in Lake Tahoe(the lake itself claiming the life of one of the family in part2s chilling climax.) Actually, claiming that the second is better than the first is like saying Lennon's better than Mcartney. One cannot exist in isolation from the other ; they must be watched by anyone who loves American Film consecutively.
Apparently, they made a part3 too. 10/10
The Godfather: Part II is my favorite movie, in addition to being, in my opinion, the greatest movie ever, even a bit better than The first Godfather. Every single imaginable element of a film is displayed at its absolute finest.
Perhaps my very favorite thing about this movie is the incredible, incredible performance by Al Pacino. Marlon Brando was excellent, but unlike Brando's, Al Pacino's character was far more complicated. He couldn't just say, "I am going to make him an offer he can't refuse" in a slick Italian voice and accomplish the role. He so masterfully and ingeniously displayed the coldness of his character. He can say so much without opening his mouth. His stare, his movement, his subtly, everything is just incredible. The supporting cast is very good as well, perhaps the worst performance being that of Talia Shire, who is still alright.
The two storyline thing is fine. It worked, and it worked well. We get enough of the early life of Vito Corleone story to know how it eventually gave rise to the plot of the first Godfather. In the end everything seems to make since.
The Godfather: Part II is an epic masterpiece.
10/10, minor flaws.
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