??? (2016) Full Movie HD
- 2016-06-01
- 145 min.
- Thriller, Drama, Romance
- CJ Entertainment, Moho Film, Yong Film
- Kim Min-Hee, Kim Tae-Ri, Ha Jung-Woo, Cho Jin-woong, Kim Hae-sook, Moon So-ri, Lee Dong-Hwi, Lee Yong-nyeo
- Chan-wook Park, Chan-wook Park, Sarah Waters, Syd Lim, Chan-wook Park, Chung-hoon Chung, Young-wuk Cho, Kim Sang-beom, Seong-hie Ryu
- 8.1 Count: 88
- Korea, 1930s. A con man hires a pickpocket to become the maid of a mysterious and fragile heiress, in an attempt to seize her wealth. But the story takes a twist when the lady falls in love with her maid.
- pickpocket, korean movie
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Review
i saw a trailer a while ago and i am a huge fan of the director so my expectations where quite big...I consider Park Chan-Wook an amazing story teller with a strong point of you and respect to his characters. The amazing thing its that i was not disappointed! Unique story ,mysterious protagonist , romance, revenge and beauty. Anything someone is looking in a movie he will find here. i truly hope this movie will go for and be enjoyed by manny viewers..i must say that it contains a lot of one on one nude girl power but its only to tell the beautiful story between the girls! i read also that the movie its from a book ..i am so glad he made the adaption between two countries that share a past like Japan and Korea' I am very ignorant so after the movie i started to google about the real handmaiden there. over all grate picture ..frame after frame i never took my eyes off of it Park Chan-wook is one of the most versatile directors around. Sure, Park seems fixated on tales of vengeance but never does the worn theme feel like a detractor in his films. Oldboy and Snowpiercer add intricate layers which transform the initial quest for revenge into other issues entirely. The Handmaiden is a movie that keeps the best traits of the South Korean director. Sure revenge underlines the narrative and yet the film is not entirely about revenge. Likewise, the Handmaiden is an erotic thriller and isn't an erotic thriller. A lesser director would hone in on the pornographic but the film never undercuts one of the meta-messages found within the film. Without spoiling Handmaiden, a Clockwork Orange is a film with a similar meta-commentary directed at the audience. Instead, the erotic scenes give the intended effect without going full throttle. The result is a lesbian love story which accentuates emotion over physicality. Male directors have a tendency to get a little excited with lesbian love stories and turn an otherwise amazing movie into pornography. Blue is the Warmest Color is a recent example of a film which could have utilized a little restraint required of its subject matter. The central "love triangle" in the Handmaiden is given an air of realism due to the level of restraint. Most characters are never who they appear to be throughout the film. In fact, the three chapter structure of the film allows for the rare successful attempt at having more than one plot twist. Film veterans are likely the only group of people who can put the puzzle pieces together early on. The twists never come across as cheap gimmicks thanks to the cinematography. The gorgeous mise en scene is spellbinding with the amount of variation found in limited locations. In spite of the lavish designs, the camera never hides character ticks one can begin to hone in on. The Handmaiden contains a lot of the admirable traits one might in a Stanley Kubrick film (the Clockwork Orange reference is not entirely pulled out of a hat). However, the middle-aged Korean director is able to separate and maybe transcend Kubrick in his use of overt dark humor. Manchester by the Sea is another serious film which also successfully utilizes humor to create a humanistic story. Kubrick usually utilizes dark comedy for an entirely different effect. The Handmaiden is an absolutely must-see for those who appreciate cinematic greatness.
Subverting the trope of feminine subservience and the male gaze, Park Chan-Wook's latest thriller is fiercely anti-patriarchal. Inspired from Sarah Waters' contemporary romance novel set in Victorian-era Britain, Park transports his story to 1930's Japanese-occupied Korea. Parallels can be seen between subjugation of women by men and that of Korea by Japan; clash of culture, class and identity. It exposes and condemns the bare-faced misogyny brought upon by class and culture. Being a tale about deception, Park makes sure that we are one of its casualties as well (through its efficient narrative structure); nothing is as it seems. I repeat, 'Nothing'. Each of the four main characters are pursuing a vision of freedom that can be achieved only through a lie; the story explores the tension between the authentic self and the facade that individuals create, and that society imposes from without.
The tradition of men eroticising the female body (and even lesbian sex) for their own personal fantasies has existed for ages now - whether it's books, films, paintings, manga, any kind of art - and pornography in general (shunga is referenced in the film); Park highlights this, then lets the female protagonists explore their sexuality for their own pleasure, not anyone else's. One wouldn't have expected Mr. Park, known for his exquisite revenge thrillers, would give us the best romance film of the year (not to say this isn't a revenge thriller as well). It's essentially the story of two women who are victims of their circumstances and finally find solace in each other. The female characters may appear duplicitous, but actually, they subvert the expectations of the people around who constantly underestimate their wit and sexuality.
The gorgeous visuals, the compulsive attention to detail and crisp editing get you hooked from the very first scene. Loved the efficient and subtle use of humour at apt instances; absurdist humour underlines even the most tragic and violent moments. The casting couldn't have been better; both the actresses are stunning, and captivating in their performances. Their characters are so thoroughly developed, and the sex scenes are highly erotic and sensual. Park masterfully constructs his narrative, dividing the film into three segments, each with its own narrator, sub plot and con. Even when previous moments are visited, they are done from a different angle or vantage point, thus altering our perspective literally. I love how the film's climax literally ends with a climax, with the two women reveling in the silly freedom of acting out a pornographic clich� mentioned earlier in the film. Ultimately, the movie is about embracing one's true self, and the liberation of mind and body. It's Park's most uplifting film yet.
This is a film about deceit. In fact, each of the three characters are double-crossing one of the others in one way or another. What do you get when the double-crossers are double-crossing each other? Triple-crossing? Then that's what it is.
The film is set in Korea during the Japanese occupation. Two women and a man are engaged in complicated shenanigans, involving gender, sexual preference, social class, nationality and even language. Each character is pretending, in order to deceive the others.
In each of the three parts, a new level of deceit is shown. Sometimes parts of the story are repeated from another angle, to show how things are slightly different from how you think they were. Confused? Don't bother to understand. It'll all become clear when you see the film.
Visually, this movie is absolutely great. Each scene, even if it lasts for only a few seconds, is beautiful. The lighting, the camera angles, the costumes, the scenery, the make-up - everything is picture perfect.
The flip side is that the visual perfection takes away much spontaneity. The film is extremely stylish, perhaps even a bit too much so. But the visual bravado is not empty. There's a lot going on at each moment, and the imagery is always in line with the story itself. Only the explicit lesbian sex scenes seem to go on longer than strictly necessary - but who am I to complain?
I had no idea what this would be about, and the film was all the better for it. It goes through many different story turns and it's a testament to how well done they are that they don't feel like easy cheats or manipulations to get the audience emotionally invested. The acting is fabulous as well. The editing of the film really helps it move along briskly and helps the story too with its emotional weight. I definitely didn't know what to expect but I would highly recommend this. It's a film that will hopefully get nominated for the Oscar and hopefully gain a lot of awards traction, it definitely deserves it. Can't wait to see where the film takes off from here.
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